SGT PEPPER TURNS 50


SERGEANT PEPPER TURNS 50!
Doug’s recollections . . .
 
That iconic album, Sgt. Pepper’s Lonely Hearts Club Band – the Beatles' magnum opus – is turning 50 today (June 2.) I’ve got a few recollections regarding that pivotal album I’d like to share with you – but first a little “Beatles 101.”

I grew up with the Beatles. Their impact on music, culture and me personally was undeniable. And their influence remains as strong today as ever.

Whenever the Beatles would release a new record, it was always a big deal. As young Beatles’ fans, we could hardly wait to see (and hear) what they’d come up with next – each successive record release was better than its predecessor!
 

SETTING THE STAGE

For all you non-Beatles folks, let me lay down a bit of Beatles’ chronology to put the release of Sgt. Pepper in context: The Fab Four had three, major music style periods – early, middle and late periods.
 
  • The early stuff (1962-1964) consisted of many of those iconic and establishing tunes that everyone’s familiar with such as: “Love Me Do,” “I Want To Hold Your Hand,” “She Loves You,” “Can’t Buy Me Love,” etc.
 
  • The psychedelic years (1965-1967) were the songs written and produced after the Beatles’ transition from live performance to strictly studio work, e.g. the Rubber Soul, Revolver and Sgt. Pepper's Lonely Hearts Club Band albums typified the middle years. This period was ushered in by the release of the double A-sided single, “Strawberry Fields Forever” / “Penny Lane.”
 
  • The final period (1967-1970) would have been characterized by some of the later singles and albums leading up to their solo efforts after the group’s breakup in 1970. Examples from this final period would be the Abbey Road and Let It Be albums and even possibly McCartney, Paul’s first solo album.
So Sgt. Pepper arrived in the U.S. on June 2, 1967 and was arguably the crowning achievement of not only the Beatles' second-style period but of all of pop music, period!
 
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MY FIRST LISTENING

It was the summer right before my senior year in high school, and I was working as kitchen help at Hull House Art & Music camp about 30 miles south of Milwaukee. For some odd reason, a couple of my high school classmates and I decided it would be a fun adventure to spend that summer washing dishes!

The camp – affiliated with Chicago’s Jane Adams Center – brought in youths between the ages of 10 and 18 from Chicago who had artistic aptitude, promising academic ability and showed a desire to participate in the program.

At the camp these city kids resided in seven villages – each with 5 cabins and a village center. The staff had its own housing. Those of us working in the kitchen had our own barracks in which there were probably 25 of us guys ranging in age from 16 to 25.

Needless to say there was a lot of amazing talent at this camp. Those prodigious, city kids were referred to as Y.A.I.T’s (Young Artists In Training.) And being the mid-1960s a lot of exciting things were happening in music, art and culture. This indeed was an exciting environment for me – especially as a young musician myself – even though I was there just as a dishwasher!.

I remember the buzz circulating around the camp with the Y.A.I.T’s that the Beatles would soon be releasing this mysterious record – the highly-anticipated follow-up album to Revolver. I'd overheard Ricky telling Ann (two of the Y.A.I.T's): "This new album has something to do with a Sergeant Pepper, and it's gonna to be mind blowing!"

In the ‘60s the Beatles had established a precedent of topping themselves with each successive record release – each single and each album was better and more innovative than the last. So just how would it be possible for them to surpass their previous two masterpieces, Rubber Soul and Revolver?!

The announcement came over the radio – Sgt. Pepper was now in stores! So my Iowa buddies and I made the 20-mile drive into Whitewater, Wisconsin and located the new album at a local drugstore.

We chaperoned that vinyl disc in its colorful sleeve back to camp like it was the Holy Grail!

That evening all the guys in the barracks gathered around a Sears Silvertone portable record player that Chuck from Chicago had brought to camp to play his Dave Brubeck albums. I had the honor of dropping the needle on side one of Sgt. Pepper.

You could have heard a pin drop, and it seemed no one even took a breath as we all carefully listened to the opening strains . . .

“It was twenty years ago today,
Sergeant Pepper taught the band to play,
They’ve been going in and out of style,
But they’re guaranteed to raise a smile.”

Some forty minutes later as the bombastic, final chord slowly faded, we all stood transfixed. The turntable's tonearm skated into the end groove and automatically returned to its holder. The click of the auto-shutoff snapped us all out of our collective trance. Chuck finally broke the silence  – whispering one word, “Wow!”

THE 50th ANNIVERSARY RE-MIX EDITION

Today (June 2) marks the 50th anniversary of the U.S. release of Sgt. Pepper. The awe that swept over us kitchen workers in 1967 after our initial listening would be experienced again and again by millions of people the world over that summer. The magic continues today in 2017 - a half-century later!

To celebrate this 50th anniversary, the Beatles’ record company, Apple Corps, is releasing several editions of Sgt. Pepper’s Lonely Hearts Club Band in various configurations. The top-of-the-line edition being a Special Collector’s Anniversary Edition – a six-disc boxed set featuring the album’s new stereo mix on its first CD; two CDs with 33 additional recordings from the studio sessions; a fourth CD with the re-mastered original mono mixes of the album; DVD and Blu-ray discs with the new 5.1 surround audio mixes of the album along with “The Making of Sgt. Pepper,” a newly restored 1992 documentary film featuring interviews with Paul McCartney, George Harrison and Ringo Starr plus in-studio footage introduced by George Martin (the Beatles’ producer.)
 
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Amazon Prime is allowing members to listen to the new re-mix online. So last night I put the headphones on, dimmed the lights and listened.

“It was twenty years ago today,
Sergeant Pepper taught the band to play . . .”

For 40 minutes I was 16 years old again!

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